In the film and television market, current puppet dramas have always been a genre that has attracted much attention, but compared with ancient puppet dramas, the probability of it producing explosive models is low. The reason for this is largely due to the slow update and iteration of current puppet dramas. The once popular Mary Sue plot is now difficult to meet the audience's increasing aesthetic needs, and the routine plot makes the characters thin and unattractive. And the key to breaking this dilemma is to inject more realistic elements into the puppet drama and make the characters closer to life.

After the TV series "White Olive Tree" was broadcast, the heroine Song Ran played by Liang Jie became the focus of heated discussions among the audience. Liang Jie used delicate performances to show Song Ran's tenacity, kindness and gentleness to the fullest. In the play, Song Ran is not in the traditional sense"Perfect heroine", she has fragile moments, but also faces the helplessness of reality, Liang Jie makes this role vivid and three-dimensional through layered acting skills, arousing strong emotional resonance from the audience, and letting everyone see that the heroine of the current puppet drama can also be so real and deep.

Looking back on Liang Jie's acting career, she has always maintained an excellent performance in the field of puppet dramas. From the smart and playful entertainment reporter in "The Day I Became You" to the smart and resolute grassroots doctor in "I May Have Met a Savior", she relied onThe acting skills of "drama throwing face" have created female images with different personalities. Each character has a unique charm and story, and Liang Jie has added more highlights to the puppet drama with her superb performance, and has also proved her strength in the puppet track, making the audience full of expectations for her future works.